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MORTEMIA Misere Mortem (NAPALM RECORDS, 2010)

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Style: Gothic Metal
Country: Norway
Release Date: 26 Feb 10 (EU), 09 Mar 10 (US)

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 - BIOGRAPHY
MORTEMIA is metal and gothic scene veteran Morten Velands latest project. His musical endeavors have been many since his early beginnings in 1992. At the age of 15 he entered the music scene with his first band UZI SUICIDE, a band characterized by its fusion of rock and metal. With time, his interest for more alternative music grew and he soon discovered the UK gothic scene, inspiring him write darker and more melancholic compositions.

 In 1995 he co-founded TRISTANIA and signed his first record deal at the age of 19. He released 2 full length albums and several EPs with this band, taking the underground scene by storm and becoming one of the leading acts within the genre almost overnight. Extensive touring in Europe and America followed including performances at some of the biggest music festivals in Europe. As the bands lyricist and main songwriter, Morten played a major role in defining gothic metal early on.

In January 2001 Morten parted ways with TRISTANIA to form SIRENIA. His intention was to set a new standard, taking his songwriting skills to a new level with a strong focus on the melodic aspects, as well as the more accessible song arrangements, without ever losing the foundation of his musical expression. The dramatic, symphonic, and sonorous elements still had an important role to play in his compositions. To date, SIRENIA has released 4 albums and 1 EP. The band has toured worldwide and climbed the album charts in 6 countries, topping radio charts and receiving great reviews from the international press. With his new project MORTEMIA, Morten intends to bring a new musical concept into the metal scene by balancing metal and classical music. MORTEMIAs debut album Misere Mortem is filled with sonorous songs that perfectly blend classical with the massive and powerful sound of a metal band. The guitar work seems more dominant here than in any of his previous projects and boasts of powerful guitar riffs accompanied by melodic leads and solos. The vocal concept in MORTEMIA is based on an interaction between Mortens extreme vocals and the choirs dramatic rendition. The interaction between the vocals adds diversity and dynamics to the songs. Morten chose not to include female lead vocals this time to more easily set MORTEMIA apart from his other bands, as well as to differentiate MORTEMIA from the many female-fronted gothic metal bands presently overrunning the scene. Misere Mortem represents a new beginning for Morten in many ways. It is the first album in which he is credited as the sole producer, in addition to also engineering and mixing the album on his own. The recording and mixing sessions took place in Mortens Audio Avenue Studios in Stavanger, Norway. The choral tracks were laid at Sound Suite Studios in France. Morten performed and programmed every instrument on the album, limiting outside contribution to the extraordinary French choir comprised by Damian Surian, Mathieu Landdry, Emmanuelle Zoldan, and Sandrine Gouttebel.

MORTEMIA's "Misere Mortem" is the latest work by gothic metal giant Morten Veland. His brand-new band's debut album continues to justify the Norwegian mastermind's outstanding reputation within the dark scene over the years. His signature compositions deliver smashing metal songs enveloped in sonorous and mythic choral arrangements, as well as sensual melody lines. The classical passages fit in perfectly with the overall atmosphere, refining with myriad details MORTEMIA's unique and melancholic sound, as only Veland can. It is the master himself, who lends his aggressive vocals to the nine new tracks, further embellishing them with a darkened aura. Coupled with the mastering expertise of Finnvox Studios, Morten Veland has created a gothic metal album not only far removed from any inkling of kitsch and pop, but also one that will thrill fans of Tristania's classic "Beyond the Veil". "Misere Mortem" is already a gem of the somber scene and will undoubtedly allow the gothic metal of the glory days a well deserved comeback!


 

 
 


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